Rejection

Just keep going...

I know several people who are going through the submission process at the moment. Listening to them I realise there is nothing quite as painful, or lonely, as the whole submission and rejection process, however, sugar coated it might have been. A rejection leaves a raw patch that gnaws away, however much you tell yourself you are being pragmatic, and that what will be, will be.

But that is your head speaking. Your heart has a totally different agenda. Your heart has spent years pouring everything into that novel, and it is not quite so willing to roll over and accept whatever is said, with an enigmatic smile, and an 'oh well.' Your heart is actually running screaming to the hills, going 'How could you not love it, what have you done to me?' Before it rolls around the floor sobbing. No one sees that of course. No one admits that.

What also happens is another small part of you feels like it has died. It was not meant to be like this. It was supposed to be snapped up. Even though you know it is only one person's opinion. And these rejections appear after enduring weeks and weeks of silence.

There used to be a different process where it was done via post, when there was a physicality to it. A slapping of an envelope as it dropped through your letterbox. But now, with email, it is all a bit rapid and a risk that people may rush it.  Submitting it before it is truly ready (Not anyone I know I should add). And now the rejection arrives with the ping of doom via an email.

When you are submitting, it is important to send it when it is as polished as it can be, and to the right people. Research who you want to send it to, making sure you adhere to their guidelines. They are there for a reason.  Create a spreadsheet so that you know where you have sent it to, on what date and then list the response. Every time you do get a rejection read what it says. If several rejections are coming up with the same issue, then it is time to go back to your story, and address it before you send it out again. Plan your campaign carefully. Once you receive a rejection, are you sending it straight out to another agent, or waiting until you have heard from them all, if you are sending it out in batches?

You might have this campaign going on in the background, but to fill these hours of silence, you need to forget about it, you need to move on. Instead of sitting waiting for the responses you start a new story. Think about new beginnings. This will show any agent/publisher that you are not a 'one trick pony' as well as distracting you. Enjoy the thrill of doing something creative, let yourself free for a while and don't let those rejections knock you down. Your book will find its home when it is meant to. Good luck to everyone who is going through the process and keep the faith.

This has to be the aspiring writer's mantra

Adhere to submission guidelines - they do apply to YOU!

I am going to write about a pet hate of mine and I am sure that of many agents and publishers out there. I know I have mentioned it previously on a post but I am going to mention it again because it is important and it is REALLY irritating when people can't be bothered.

What is it? I hear you ask. It is nothing ground breaking. It is nothing that difficult or complicated. Firstly please when thinking about submitting your manuscript anywhere ensure it is the best it possibly can be. Don't think, it's ok you'll make it better once they've taken it on. It doesn't always work like that. You may not get a chance and you may have blown an opportunity. I would like to hope with Golden Egg Academy you want to submit the best thing you can. If you submit something half hearted it often comes across in the writing. If you don't care about it why should we?

Submission guidelines are there for a reason and yes we do notice and mind if you flout them. What happens is we probably just won't bother reading that extra chapter that you have tried to squeeze in on the end of the third chapter. Or the three chapters you  have included in each chapter submitted on line so you appear to have actually submitted six chapters. I know there are going to be people saying 'but my story doesn't get going until chapter 4 or chapter 5'. Well I know a lot of readers (children in particular) who will not wait until chapter 4 or chapter 5...The story needs to grab our attention early on.

If it asks for a synopsis make sure it does the job. Tells us the age range you are aiming for if you are writing for children. I often get the feeling if someone doesn't include that it is because they don't know and they probably don't really understand their story because of it. It shows. We will know.

Most importantly (and again) follow the guidelines on what sort of synopsis is required, if there aren't any don't use that as an excuse to put a ten page breakdown in. Be professional, show what a great person you would be to work with. Don't waffle and don't worry about giving away the ending that's what you do in a synopsis. Quick tip: Read Nicola Morgan's excellent book on how to write a synopsis.

That's it, that's all I have to say. ADHERE TO THE GUIDELINES. DO WHAT IT SAYS. Yes they do apply to YOU.

Slightly drug filled post this week as am now truly bionic having had my second knee replaced. Perhaps that is why I am feeling so intolerant of people and their inability to adhere to guidelines. However it has been a good week with lots of good news for people I know and I was sent this song by the wonderful Eggers while I was in hospital and it is certainly true. Such a great community to be part of

Submitting to literary agents and publishers

This week I noticed on Facebook one of my former students was going through the angst of submitting his work to an agent (at the agent's behest I should add). Oh how I could empathise with his tortured statuses. That moment you decide your work is ready to be submitted is gut-wrenching. In my own experience the mouse has floated over and then away and then back to the 'send' button over and over again, until in a fit of 'just get on with it' clicking the button and watching the email with attachment fly away. Only to regret it immediately. Can't I have it back? Just one more look over it....damn. It used to be (and sometimes still is) the case of walking round and round the letter box. Thick envelope neatly prepared and stamped weighing heavily in your hands. At least now it is done in the privacy of your home rather than risking being arrested for stalking said letter box.

But then the next stage of angst starts. The wait. It could be days, weeks, months. Previously, a rejection was always preempted by that rather particular and distinct thwack as your returned, possibly unread, MSS hits the floor having been forced through the letter box by a potentially grumpy postman. These days it is almost more tortuous. As with every PING - 'you've got mail!' has the potential to end your dreams. But it is not the end of your dreams. It might be a hiccup in them but it might also just be a....'could we see more.' You just never know and you need to be prepared. It will happen, have faith.

Going back to making that decision when to submit there is actually always that risk that you don't get round to submitting because you keep thinking 'I will just give it one more proof read, edit, polish, rewrite, then it'll be ready.' Sometimes you have to be brave and let it go. It feels a bit like leaving your child on their first day at school, you don't know what's happening. Do they like it? Do they hate? Are they just sitting in the corner waiting (to be read)? But it is all part of being a writer. Perhaps there is a masochistic streak in all writers and that's why we do it.

Having listened to several agents and publishers and their thoughts on submissions I would like to give you some things to think about when submitting.

1. Read the Writers & Artists Year Book (other books are available). If in there (or on their website - another good place to check) it says they are not receiving unsolicited or unagented MSS. That does apply to YOU. They won't make a special case just because it is you. UNLESS they have personally invited you to submit in which case you need to state this clearly in your letter.

2. Read their submission guidelines. These are available on agents websites. Read them and adhere to them. Your story is not ready if you think you have to attach an extra couple of chapters because the story doesn't get going until then and they will miss your favourite bit.  If they want a two page synopsis - don't send them a ten page one  because you can't get it into two (and in the meantime read Nicola Morgan's excellent book on how to write a synopsis)

3. Now this is a tip coming from me, but am sure a few agents and publishers might agree so thought I would add it in. It is something I come across when marking, which I see as a kind of practice submission. (And obviously applies when submitting hard copy) Do not leave your MSS in your kitchen where you are cooking highly aromatic dishes(can you call cottage pie and chips aromatic?). It is revolting to have that smell waft at you the whole time you are reading and you turn a page. Do not let your cat/dog/child walk over it leaving muddy paw prints, however cute they are. The same with coffee or tea or unmentionable and indefinable stains.
Don't think you are safe when submitting on line - make sure you have removed track changes and comments. It is amazing what you can find out when someone hasn't!

4. And going back to point one really. If a publisher or agent has invited you to submit make sure you address it to them and mention in the letter that they had invited you. Saying where and when you met and the invited was handed out is always a good bet  in order to jog their memory. However, memorable you think you are you have to remember they see lots of people.

OK that's it, 4 Ness tips to help you with that angst moment of sending your work off. Go on, be brave, you can do it. You never know what might happen and good luck with it.

Happy Weekend and here's a piece of music because I always tried to play my guitar like this...and failed. Carlos Bonell and Strawberry Fields