Saturday, 28 August 2010

Happi-ness


This slightly scary photograph was taken on the last night of the retreat. I think what it shows is something I am very conscious of at the moment. I am very happy and content. The strains of the world seemed to have disappeared. It is a whole week since I left the retreat, in some ways it is a lifetime ago and other ways it is the blink of an eye away.
It has been a week where various things happened that touched me or rather woke me up. I finished the PhD novel and sent it off as you know from previous posts which was very satisfying and made the PhD seem very real particularly as the DoS and I have been discussing when the final viva could be. Then I was introduced by Kate Wheeler, who was instrumental in their online creation, to the BBC's archive of interviews with authors going as far back (or as far as I have found at the moment) as an interview with Virginia Woolf talking about mysterious demands and the duplicity of words. It has been fascinating to listen to them as they are often frank and honest interviews. For example AS Byatt learnt plotting from The Bill in its early days. Finally, yesterday I was given a paper to read that has been written ready for a conference in a few weeks time. It was a wonderful read, it made all my critical nerve endings come to life and crave more. The PhD mind was well and truly awake as I was then fascinated to realise that the Woolf interview resonated with this paper 73 years apart but both equally valid and inspirational. My world is full of circles, lots of circles. I love my life full of circles.

Tuesday, 24 August 2010

An Achievement


This photograph is the front cover of my PhD Novel. At my last meeting with my Director of Studies I was set the task of having a complete, polished first draft of the novel. Well, here it is. I will be going into the university tomorrow to print it off and send it to him for this perusal and thoughts. It is called 'Ham and Jam' because that was the signal during the D Day landings to indicate that the Pegasus Bridge had been taken. The story is about a group of students who go to Normandy as part of their History course whilst there they rescue a very young girl who is being used in the sex trade. it is the story of how they save her.
I am pleased with it. Having the opportunity to work for such a dedicated amount of time up in Scotland made a huge difference along with the good feedback I was given there too. I have acted upon it all. I think I have achieved a sense of place now. I have read the whole thing out loud so I can hear the words and perform the dialogue to know it works and it does. It is as polished as I can get it now.
Feeling a bit vacant and lost now. Need to switch back into lecturer mode now and attack the long list of work that needs to be completed along with the papers that need writing and journal that needs editing. Listing it like that maybe I'll just go back to being a writer...

Sunday, 22 August 2010

Home from Retreat


If you ever have an opportunity to go on an Arvon Tutored Retreat - take it. I have just returned from Moniack Mhor where these Aberdeen Angus cows were our nearest neighbours. it has been a week of writing, talking and laughing...oh and cheese! When attending anything with a group of strangers there is always the risk of tension and conflict. Not here, there were fourteen writers and two tutors - Zoe Strachan and Kevin MacNeil, both accomplished authors/poets and so generous with their time. We got along famously and I think some long term friendships will develop out of the retreat. We already have a facebook group and made contact via email.
There was limited internet access, no phones or TV or radio. It was bliss. The weather was amazing and the views unbelievable. Several took the opportunity to walk to Lock Ness, unfortunately my joints and lack of stamina meant such a journey was not an option for me but it really didn't matter. I was in love with the views.
I started writing as soon as I got up stopping only occasionally for a drink or stretch and then stopped as it got towards the evening meal. We also had the opportunity of having an hour long one to one with each of the tutors who had previously been sent some of our work. This was the first time anyone outside of my supervisory team had looked at my PhD novel. It was quite nerve wracking but the feedback was not only useful but inspirational too giving me a real sense of confidence in my writing. Sounding a typical writer by being over dramatic, the week has been life changing/affirming for me.
It is rare to have an opportunity to have such an intense time to focus on your writing - the most important thing I got out of it was I remembered why I write - I love it and it is what I have to do.

Sunday, 15 August 2010

Snippets of ideas


I haven't looked at my manuscript, apart from printing if off on Friday, for over two weeks and it has been agony. But this break has allowed to start thinking freely about it again. I have snippets of ideas, images, phrases and thoughts for the story that appear uninvited but enthusiastically in my brain. I note them all down in my notebook. A beautiful bright red moleskin notebook that my son got me for Mother's Day that I saved for this particularly project.
I am talking about two vital parts of the writing process here. One is leaving your manuscript alone for a minimum of a couple of weeks to let the story ferment in your brain. Bubbling away means all those ideas that have been at the edge of your thoughts for so long but could never quite come into focus. Putting the manuscript away allows them to jump into focus. It is something that some of my students are reluctant to see at first. Some of them think that when the first draft it done then that is it. Re-writing is for bad writers. WRONG! Re-writing is a very important part of the writing process particularly, if like me, you are an 'adder-in' rather than a 'taker-out' when editing/re-writing.Walking away from it means that you can come back to your manuscript afresh.

The second one is the importance of an ever present notebook. This was something I was introduced to by AM, my DoS, and it was one of the most invaluable bits of advice I have ever received and something that I try and pass on to my students. Carrying a notebook with you all the times means when you see something, or hear a wonderful phrase or a nugget of an idea drops into your brain you have somewhere to put it. It is also the place where I put the notes from all my research. This means that everything is kept in one place so you know where to look to find information rather than trawling through bits of paper that you intended to file.

Now am off to buy new pens and pencils for writing with on retreat....another important part of writing....new stationery ;-)

Friday, 13 August 2010

Retreat and writing.


Today I have printed off my novel as it stands at the moment - just over 200 pages. This is so I can take it with me to the retreat next week. I will have my laptop with me but as I am often told it is better to work on a hard copy. The story is very nearly there so a lot of next week will be spent going through it, exploring what I have written and looking for better ways, rewriting where necessary.
I was reading about ways of writing the other day. They suggested there were two ways of writing: 1) where you overwrite to the extreme and when you edit you cut back big time. 2) you get the basic story down and then go back and bring it to life. That is me. That is what I do.This also means I love the rewriting process because of how much you invest into the narrative to make it sing.
That is what I am hoping to do in Scotland. I am going to finish a first draft and then polish it. I am just really hoping that when I get there the writing doesn't just freeze up and no words come. I know I am putting a lot of pressure on myself but am trying not to. If that makes sense. I am also very conscious that this retreat is the sort of chance I don't normally get so the pressure to make the most of it is also huge. I just hope that at the end I have something to really show for it.
I have never been in such a situation for such concentrated writing. It will be a totally different experience, one I am looking forward to sharing with my students. I will also be interested to see if the writing process changes there. I will let you know when I get back.

Wednesday, 11 August 2010

Society of Children's Book Writers and Illustrators British Isles


This is a link to a the SCWBIs (British Isles) social network page (you need to be a member to join)
I have been to their conference which is held at Winchester University a couple of times and always found it incredibly useful but that was really all my contact with the group, until I joined Facebook that is.
Through that social network, which is much maligned, I have made contact and friends with a lot of members. It has proved to be a wonderful resource and has meant I am kept up to date with what is going on within the SCBWI. But on top of that it has provided a forum where discussions can take place about writerly issues but also a place to celebrate successes. It has created a great community where there is no sense of 'them' (the published) and 'us' (the great unpublished). It is also useful to see that sometimes well established authors have the same doubts as the rest of us.
This sense of community is very important as writing, even writing for children, is a very solitary occupation. The Ning site adds to this community whilst also providing a seemingly unending amount of information for the aspiring and already published writer alike. I recommend becoming part of the SCBWI as it is a great resource and provides a wonderful support network.

See you there....I hope.

Tuesday, 10 August 2010

Old cogs


My brain feels like it is full of old, rusty cogs. I have been working on the creative part of my PhD for quite a few weeks now and hopefully it will be finished next week when I am on retreat. Today I started looking at some of the other work I have to do. This included a paper I am giving in November and I admit I had a little panic.
Trying to get the brain to change gear and start moving in a critical rather than creative way was very difficult - though I would argue that they work together and from each other and are in fact inseparable. I suppose what it really is is a matter of focus rather than separate functions and my critical focus had become a bit blurred. What I do know is that I definitely needed some WD40 to oil the cogs to smooth the way.
In the end it wasn't WD40 that got it going again, it was good old Baudrillard who woke it up, refocused it and even got the brain excited as it remembered why I was going to do this paper and also how I can apply some of his ideas to my PhD.
Normal service has been resumed!