Showing posts with label Philip Pullman. Show all posts
Showing posts with label Philip Pullman. Show all posts

Thursday, 16 January 2020

#writingishard2



This time of year can be very hard, it is often dark and grey outside. There might’ve been pressure over the holiday period when well-meaning people ask, ‘Are you STILL wring your book?’ or ‘When IS your going to be published?’ It’s easy to feel overwhelmed, particularly if you feel like you have
Writing pressures
been writing/editing for a long time, you’re facing edits/rewrites, or it’s a blank screen blinking at you because you can’t think of an idea, but you know you want to write. It’s hard, but you need to ignore these pressures and focus on your writing.

One of the most important things you can focus on is the difference a story can make to the reader, particularly if you are writing for children or young adults. A story can help a reader escape their reality. It can provide a sense of hope and a belief that things can be all right in the end. Stories can be a way to understand the world we live in. We hear the term ‘windows and mirrors’ a lot, but it is important. A book can provide a window on someone else’s life, so a reader can walk in their shoes, or it can be a mirror, so a reader can see themselves in a story. This is particularly important when thinking about creating stories that are inclusive. Writers should not shy away from difficult and challenging themes as well because a book is a safe place for a reader to explore said themes. The stories provide an opportunity to ask questions of the narrative but also for the reader to ask questions of themselves. It helps them work out who they are, but just as importantly, who they are not.

In a world that is becoming increasingly hostile and intolerant, it is important to encourage empathy. It is proven that reading stories can create empathy. Empathy Lab is doing great things to #EmpathyDay is 9th June this year. They also create a reading list entitled Read for Empathy Guides for Primary and Secondary which schools. Empathy is a key element of emotional intelligence, and part of helping children to appreciate others. As writers we understand we need to create fully rounded characters and that includes emotional depth: even the ‘baddies’ in a story should be making decisions that are right for them, emotionally, at that particular moment.
highlight the importance of empathy around the country.

Philip Pullman
When thinking about your writing, I will add a caveat for all writers. I have spent many years supporting aspiring writers in my jobs either as a Creative Writing Lecturer or working as an editor/workshop leader at The Golden Egg Academy. There is a moment when a new writer comes to me and confidently tells me about their story starting with the words ‘My story is going to give a message about…’ It might be any contentious subject or a moral message of some sort, whatever it is my heart sinks. I can understand the desire to want to write a story like that but invariably they become didactic. Philip Pullman summed it up brilliantly in his acceptance speech for his Carnegie Medal when he suggested ‘”Thou shalt not” is easily forgotten but “Once upon a time…” is remembered forever.’ What this means to me is that the story has to be the priority, not the message. Focus on that and let the narrative do the work rather than lecturing the reader.

Keep writing your stories, focus on the hope you can create and empathy. Remember books show that the world can be a better place and that the reader can make it so: as Neil Gaiman has suggested when talking about reading: ‘You’re finding something out as you read that will be vitally important for making your way in the world. And it’s this: The world doesn’t have to be like this. Things can be different.’

Stories bring hope, even in these difficult times. Remember the difference you can make.  Good luck with your writing. I know it’s hard, but you can do it.

'Those Sweet Words' by Norah Jones for today




Thursday, 2 May 2019

New story, new research - my favourite time

I am at the beginning of a new book - no I can't tell you what it is about yet so don't ask- I love this part of writing though. Letting my imagination run free and allowing the story to evolve and develop as I write. Yes, I
Time to start research...
am a bit of a 'pantser', what I mean is that I don't plot intently before I start. I know what happens at the end but am never quite sure how I am going to get there. I was relieved to see on Twitter that Philip Pullman and Frank Cottrell Boyce do similar things. (As a writer you will know that we always look for our methods to be validated by others!!)

I also write cold and edit hot. I have spoken about this before. What I mean is that I get the basic story down so I know it works as a structure then go back in adding in the colour and detail. I am also lucky enough to have used the Golden Egg Academy 'Book Map' and as I write I do think in terms of that which does help too with the structure etc.

Please don't think I am telling you this is the only way to write. I am just telling you about how I write and what works for me. It may well not work for you. You have to find the way to write that works best for you.

I am hooked up in all the research I am doing. I love that bit. I am not sure if it is the academic in me but I find it very satisfying to research and find a tiny detail that there's a good chance that no one else will notice it in the book, but I'll know it is there. I try not to interrupt the flow of my writing when I am on a roll though and the words are tripping off the tips of my fingers. If I know I need to do extra research or expand an element following research, I highlight the section in yellow and may put a comment at the side to remind me, particularly if it is something specific I need to check. I can then spot it easily when I go back. I continuously research during the writing process, it never stops for me.

I am doing all sorts of research at the moment. Reading books, looking at the internet, YouTube and also talking to people. So important. However, a quick word of warning do remember to tell the person you are talking to this is for a story. I had an incident recently where I was asking a friend at the school gate if I could have a chat with her husband, who happens to be in the police force. I was explaining why by telling her part of the story. Trouble was I had forgotten to tell her it was fiction! Her response was shock and concern as to whether the child was all right. It was at this point I realised she thought I meant a real situation. I had to confess it was in my story.

This new story is going to take a lot of research, which is going to be interesting, but it is really important I get it right. This relates particularly to one of my characters, it is not a main character but it is a character with issues that needs to be handled appropriately. Luckily I have experience through close family members but also another relative teaches similar characters. However, I won't stop there. I will be referring to appropriate charities, lots more research and also Inclusive Minds.

There is no true story to inspire me this time, it is all down to me...I hope you are going to like it. Can't wait to immerse myself in the writing and doing more research...just need to finish the marking first!


The moon was important in Flight but I think the sun will play more of a role in the new book so thought we'd have a bit of 'Don't let the sun go down on me.' Thank you George Michael and Elton John!




Wednesday, 21 December 2016

Stories for hope

A few years ago now but you can't escape the wonder
2016 has been a difficult year for many reasons when you look at the world and what has happened. Things we believed never possible happened and we roll into 2017 wondering 'what next?' This has meant that there are definitely feelings of fear and uncertainty being felt by many, including children. How do you explain to children world events?

It is at times like these when the importance of children's stories come to the fore. They give them somewhere to escape into. They give them a sense of hope. A sense of understanding. So many stories deal with the 'big issues', the universal truths in ways that they can understand. We talk about windows and mirrors when referring to diversity but it so  much more. I feel it is prism. The single white light of the reader opening the book as they first read it, only to be turned into a rainbow of knowledge as that white light is broadened/refracted as they read their way through. They may meet characters just like them or look into new worlds, seeing how characters live there. They get to experience all that knowledge that the author is bringing to their writing. They learn about that world and start to empathise with it. Adding depth to themselves without realising. Each story helps them face the world with a little less fear and a little more hope. Hope that it will be all right. We can make it better in the end. Good will win. Stories bring laughter, bring joy, bring tears, bring love, bring memories, bring the future.

This is why stories are so important and why we must keep writing stories, the best stories we can. Publishers need to keep publishing, to keep looking for new writers as well as their established ones. The world will keep turning, art and stories will keep showing the light and the way forward. We must never give up. However hard it gets. As Philip Pullman once said 'Thou shall not' is easily forgotten but 'Once upon a time' is remembered forever.  The 'Once upon a times' will be the answer. It will help the children and give them hope again. Keep writing and may 2017 be full of joy and laughter.

It is Winter's Solstice so this seems appropriate



Monday, 6 January 2014

Art as inspiration and as the 'art-track' of your life

James Allan Untitled (2013)
There was an article in The Guardian recently by Alain de Botton which was discussing whether art can provide solace, hope and reassurance. For me this is a given, of course it can and it doesn't stop there. Art can provide inspiration for writers too. I suggest to many of my students and the authors I work with that they should go to art galleries. Sit and take in the pictures/sculptures. Let them talk to you. You never know what might come out of such an experience. It may be an idea for a novel or the starting lines of a poem. Open your heart to all art. (Have you ever noticed that art is such an important part of the word heart...)

But it also got me thinking about the idea of an 'art-track' as opposed to a 'sound-track' to your life. I believe our tastes in art evolves and develops throughout our lives, consequently, it only seems logical that, like with music, certain artefacts can inspire and remind us of certain moments in time. They capture a memory. Below are some of my 'art-tracks'...

The James Allan piece above is an installation that I find intriguing. It makes me think of Icarus and soaring high into the sky. James is an artist I have only recently found. He is based in New Zealand.

The picture on the right was introduced to me by Philip Pullman at a conference. When I asked him about the picture he very kindly sent me all the details and a link to where I could find it. Unfortunately it was at the Metropolitan Museum of Art in New York. Somewhere I have yet to manage to get to. One day...

I love the simplicity of it all. It is entitled 'Man Reading in the Garden' by Daumier. I was lucky enough to be given a copy of it for my birthday last year. It is waiting to be hung in my office. It is such a peaceful picture and reading in the dappled shade of a garden is something I love to do.

This is obviously a Rothko and it brings back some very happy memories of a time just after my final viva for my PhD. I went straight up to London for a conference and to spend some time with a great friend. We talked, laughed and cried a lot over those few days as we drank a lot of bubbles to celebrate my success. But we also spent a lot of time in companionable silence in the Rothko Room at the Tate Modern. A perfect time.

Then there is of course Folon - another artist that I was introduced to during my PhD.

This is one of my particular favourites as I love the idea that your head is being led by your heart. The colours are so warm and joyous.

The picture on the right was a piece of original art I bought in my past life when I was a business person. It was an investment. There are two more original pieces waiting to come back out from under the stairs as I reclaim my house. I loved this piece for the colours.


And finally, my latest acquisition, which you have already seen. A Christmas present, just called 'It's never too late...' And it is never too late to find the art that makes your heart soar and sing.

Obviously these are just a few of the pieces of art I love. I could go on forever...but won't! What are you favourite pieces and how do they inspire you.

Here is an appropriate song for today and another one from the sound track of my life. This was one of my mother's favourite songs when I was very young. It is Vincent by Don McLean

Saturday, 2 February 2013

Children's books are brave and bold


I was reminded this week of the resilience of children. My step grandson had a massive operation. We were all terrified by it, he was pragmatic. It was something that needed to be done as far as he was concerned. This wasn't a case of ignorance on his part. He knew exactly what was going to be done to him and could explain to you in graphic detail if you were willing to listen. He was brave beyond belief.

His attitude made me think of the post written by the DGA agent, Kirsty McLachlan, on the Golden Egg website. If you have any involvement in writing for children you should read this post. It is inspired. OK, maybe I am biased, her approach to children's literature is the same as mine. Children's books can be challenging. They can take children to places where as adults we might fear they should go. As Kirsty says 'Children's books are brave and bold. They are fearless.' Just like children and so they should be. As I have said before Philip Pullman in his Carnegie Award Medal acceptance speech spoke about how there are some ideas just too big for adult stories but children's fiction is exactly where they should be dealt with. While Melvin Burgess also suggested that children (I am including young adults in all this too) can cope with anything if it is put in context. This has all been mentioned fairly recently anyway with the whole 'sick-lit' argument, which you all know my thoughts on.

The important thing to remember when writing for children is that they have this insatiable thirst for knowledge. And books are a great place for them to ask questions of the text but also of themselves. Books can help them work out who they are and to make the connections in their own lives. As Kirsty also said 'Children always defy our expectations,' and so should their books. Somebody said to me the other day 'Oh I think I am going to write a children's book because it must be easy.' You can imagine my reaction. But more importantly, and regardless of the fact that writing a children''s book is not easy, is the fact that we should not demean children's books like that. Are they not entitled to the best written stories ever? More so, I think, than adults. I was convinced to do my MA in Writing for Children because I was told if you can write for children you can write for anyone because it is so hard.

There have also been some interesting articles flitting through the ether talking about how the gap between girls and boys reading is closing. It is believed as a direct result of the ebook. In other articles it was suggested that children still want 'proper' books as well as ebooks. They are embracing the technology and moving with it. We must make sure we move with it as writers. Thinking how our stories can be multi-platform, being open and flexible to all opportunities.

I am going to end on a quote from Kirsty again, which I think just sums up the importance of good books: 'A child that reads is not alone; they are with a best friend.'

And here is a beautiful piece of music composed and played by Shin Suzuma, brother of my friend Tabitha Suzuma. A gentle something for a Saturday full of marking and work....remind me again, what is a weekend for? ;-)

Sunday, 24 April 2011

Writing is a roller coaster ride

There is picture, called 'Man Reading in the Garden' is by Honore Daumier (1808 to 1879) and was first brought to my attention during a keynote speech given by Philip Pullman. Talking afterwards he very kindly sent me the details and a link to a copy of it. We both love what it represents and for me it is a reminder of why I write as I know there is nothing more delightful than being lost in a book. To me it's a very calm picture and one I would look at a lot in the last few weeks of my PhD. I needed its soothing balm. I have a copy at home and in my office. I would love to see the original but though it is kept at the Metropolitan Museum of Art in New York it currently is not on view. One day maybe...

The writing hangover mentioned last week is still there. I did manage to write a creative writing exercise I had been commissioned to do and had a deadline for and I managed to tidy up some references in a book a friend is writing, but to actually write something for me that is creatively rather than academically based is proving to be an issue. I want to submit a piece on 'beginnings' for the new Gumbo Press e-zine and I have masses of notes but seem to have an issue with actually starting it. Empty page/screen syndrome!

I follow a good friends blog and the two most recent posts epitiomised, to me, this roller coaster activity which I so love. On Friday they spoke about how easy writing was, just a matter of getting the words in the right order, then yesterday it was a post full of sighs and doubt as to whether what they are producing is good enough. It is, I have read it, but I also understand that doubt. I ride that roller coaster on a regular basis it can be thrilling yet more often than not it is terrifying. On that note I have also taken the next step in my new beginnings, if they are successful I will tell you, if not I will disappear quietly into a corner to lick my wounds before repeating the process, but thank you to Nicky Schmidt for her support and advice in this matter.

It was my final week of recuperation but I didn't manage as much reading as I had hoped, too many distractions. And this week I am back to work on Tuesday and I am hosting an event for our third years when Morag Joss is going to come in to talk to the students about being a writer. It should be a wonderful event and a great way back into the working environment before the stress of assignment and final year project marking comes flooding in.

I am still not as strong as I would like to be so need to take things a bit slower and to remember that I'm no super[woman]....