Ramdomness of Writing Research

There is an aspect of writing I love and that is the research. I can get caught up in it. There is always the risk that you are too busy researching that you forget to write the story though. It doesn't matter what sort of story you are writing there will always been some element of research that needs to be done.

I like the details that add credibility to your story - that make it real. Often my research will lead to only a word or two on the page but that doesn't matter. I am infuriated as I write this I can remember reading some where recently but can't remember where that it is vital that your story is credible but not necessarily authentic. I find that small bits of information can lift your story off the page. What is important is that you do not bog your narrative down with detail. All that happens then is you stultify your story and particularly with children and young adults you will switch them off. The story has to be the focus. Everything else hangs off it and adds colour.

This week my research has lead me to have a conversation with a friend about Austrian/German nursery rhymes and quizzing another friend about whether you would potentially know if your helmet had been hit by sniper bullet. My friends love me and the random questions they often get asked. I am eternally grateful for their patience and tolerance. Over the years my children have had to put up with some extraordinary questions usually with the comment do their friends, 'Don't worry, she's writing!'

Books and Google are a wonderful resource as well. My internet history is fascinating. What guns did the Nazis use during World War II? How do horses react to the dead? What does a bullet wound look like if shot by a sniper? Plus Google maps/images if you need reminding of a detail. How spoilt are we these days when it comes to research it is so much easier than it was. I do my utmost to get things right but when dealing with history there is always going to be a risk. We can't know we weren't there and it is always going to be interpretation.

Today is Father's Day in the UK. My own father died in 1996 and I still miss him as I know my children do. He was a strong, proud man with a big heart. My children have made some comments to me this morning that I will not share here but have meant so much, they have truly touched my heart.

What's in a name?

I have made a momentous decision this week - well to me anyway. With encouragement from the prospective editor I have changed the name of my work in progress. This now means that it is no longer my PhD novel, which was called, as you know, Ham and Jam. It has moved on and become a totally different animal and ,in the end, I think will bear little relation to that novel. But what's in a name? A huge amount I would suggest.

I ask all my students to name their assignments with the idea that you feel like you own it, in your mind, if you have named it. It becomes real. Choosing a name can be an agonising process because selecting the right one is vital. It can tell you so much about the story. (It is also a great way to prevaricate and avoid the actual writing so be warned!) One of the favourite names of my novels was not thought of by me, my daughter came up with it - Disjointed was an earlier novel about cannabis psychosis. A novel I think I may try and convert into a script as I think it would work better in that format, but that is an aside. Ham and Jam had a reason behind it too. It was the signal to be given by the British army when they had captured the Pegasus Bridge during the D Day Landings. Very relevant to me but not the greatest selling point. I am hoping the new name will do its purpose - to attract the reader's attention and give them a clue as to what the story is going to be about (however vague)

Once you have got a name think about doing both a Google search and one on Amazon to see what other books have that title - if at all. Having a good, snappy name can be a good way to attract attention when submitting to agents/publishers. A name that sticks in the memory must be a good idea as it will help you stand out from the rest. But, and this is a big BUT, be prepared that there is a good chance that if (when) you get a contract from a publisher they may well change the name again to something that they think will sell it, to make it even more marketable, so don't be too precious about it.

Short and sharp names seems to work well. Thinking of Lucy Christopher's Stolen; Miriam Halahmy's Illegal, Mary Hoffman's David, Mal Peet's Tamar, Rachel Ward's Numbers, Nicola Morgan's Wasted and Tabitha Suzuma's (and Judy Waite's) Forbidden. Others work well with short sentences: Candy Gourlay's Tall Story, Meg Rosoff's How I Live Now, There is No Dog, Keren David's When I was Joe, C J Skuse's Pretty Bad Things. (I know these are all YAF but am not sure it is that different when naming any MSS) Obviously, this list is not exclusive or all  encompassing but is made up from books that I can see from my desk as I write this. I am sure you can, and will, add many more to it. Neither am I telling you that this is the only way to do a name. You have to find one that you feel good about and helps you to own your piece of writing and keep focused. Have fun with it.

As for the new name of the work in progress.....at the moment it is Trafficking. What do you think?

Thought we would have a bit of Kate Rusby this Sunday morning with her song 'No Name'