Working with Editors.

I love working with editors. It is such an enlightening experience. Having said that I have been very lucky in that the two main editors I have worked with have really understood my writing and got my stories. Every time they have brought something new and good to the process. I have never once felt like it was a negative process. I do know of others where this has not been the case, so I do count my blessings.

Don't get me wrong when the email arrives with the edits attached I do have that gulp moment and have to let them settle before realising that, yes they are right. They will make the book better. I can see why they are being suggested. You don't always have to agree but you have to have a good reason not to. Editorial comments are there for discussion. They are suggesting you look at an element in the manuscript and consider an alternative way of exploring it. 

It is always important to remember that an editor's opinion is precisely that, an opinion. There is that joke that you put seven editors in a room and give them the same manuscript and you will get seven different lots of editorial comments. I can say the same about writers. If I set my students a writing task where I give them all the same opening sentence, not one of them will write the same story. It is because everything we do, whether it is writing or reading/interpreting what we read is based upon our life experiences. Our education, our upbringing, our politics, our interests. The films we watch, the books we read. Everything has an impact. If you want to get all theoretical you go down the lines of Roland Barthes and his tissue of citations. But let's not. 

This is why it is so important to be open-minded to editorial suggestions and not defensive. Don't be precious about your work. You want it to be the best it can be. You will be too close to it and you won't see the flaws, however, often you have proofread it. Believe me. There have been many a moment when I have cringed when one of my editors have highlighted something that I would have jumped on my students for doing. But I just didn't see it because I was too close to it. I confess I was mortified. Don't be hard on yourself but welcome your editor's input. 

Working with an editor is a joy because they are as passionate about your story as you are. They want to talk about your story as much as you do. Trying to talk to my family about my story is never the same. They are very tolerant of me, bless them, but they don't really care. They are not particularly interested. But your editor is. Make the most of it. Share your ideas when you discuss your editorial notes. Bounce ideas around. It is a chance to get honest feedback. 

Obviously being part of a crit group helps you get used to having feedback, but always make sure it is constructive feedback you are receiving and it is not someone trying to make the book into their book. Always listen to the feedback and ask questions about your manuscript. If you don't agree and you have a good reason not to agree, like with editorial feedback you don't have to follow it. But make sure it is a good reason and you are not just being precious about your work. 

How I envisage the latent 
process
A man reading in the garden
Honore Daumier

I spent years receiving feedback as a student then giving it as a lecturer and as an editor with the Golden Egg Academy. It doesn't make getting feedback from an editor any easier. I still get just as worried though once I have got the edits, I get really excited because I love doing editing and bringing the story to life. Making it sing by ensuring it is the best story it can be. It is all about giving yourself time for latent processing once you have the editorial notes and then enjoy the rewriting. This is why I love working with editors and as I said I've worked with two of the best, Imogen Cooper and Janet.Thomas. 

Happy writing/editing everyone!

 

Writing is hard - Be brave

 Writing is hard.

Sometimes the words and ideas flow with ease. Sometimes they don't. Sometimes you have to make some very difficult decisions. You need to be brave.

Recently I've had one of those moments. Some of you who follow me on social media may know what I did. Consequently, I thought I'd explain my process/reasons a bit more.

During the previous eighteen months to two years, I have written three novels. One of which is Safe, the sequel to my Second World War adventure story, Flight, which was published by Firefly in 2018, and Feiwell and Friends in the US this year. I am currently waiting for the edits to come back from my publisher for Safe which is coming out in 2022.

The other two novels I had written were contemporary, realist novels, so very different from Flight. They contained similar themes, horses, nature, family, and important current issues such as food poverty and being different. I enjoyed writing them and as always doing the research. Anyone who knows me knows how much I love doing research. I rewrote them and edited them. I put them to one side while I worked on Safe then came back to them again and did another edit.

BUT...

There was something wrong I had a niggle. A familiar niggle in fact. The last time I had this feeling I had been editing what had been my Ph.D. novel and luckily for me at that time I had been working on it with my great friend Imogen Cooper. Some of you may have heard me tell this story. I had been worrying about the manuscript. I couldn't get it right. The writing and the story were all perfectly fine or adequate is probably a better word. But something just felt wrong all the time. The feeling was deep inside me. I found it really difficult to explain but knew I needed to try at the next editorial meeting. However, unbeknownst to me, Imogen had also decided to have 'THAT' conversation with me. We got together. I didn't realise how worried she was. She had no idea how worried I was. 

My memories are vague now but I seem to remember Imogen saying to me, 'Ness, I think you need to walk from it.' It was like a huge weight had been lifted off my shoulders because that was exactly what I had planned on suggesting. Her face was a picture when a grinned broadly and said 'Thank god!' I think that was the last thing she expected. The scariest thing was Imogen told me to go away and write whatever I wanted to. But it worked. Flight was the result of that conversation.

Recently that niggle was back though. It didn't matter how much I edited these novels. They weren't right. They were fine. They were adequate. But they weren't good. I was very conscious that whenever I edited Flight it could still make me cry or laugh at the appropriate moment. These novels didn't move me in the same way. They didn't reach deep inside me. The point being is if I am not feeling a story then my reader is certainly not going to.

I made the decision this week to walk away from both novels. Some may think it is a stupid thing to do but I can't keep putting energy into books that don't work for me. Again, I spoke to Imogen about what I was doing. I told her about how I had the same niggle. As usual with her normal insight, she pointed out how I need to feel my stories. I have to get all the emotions. If I don't then it doesn't work for me. I can't make it happen. It is all part of the writing process for me. I admit it, it makes it quite torturous at times. 

I notice my previous post, all the way back in January (University was very time-consuming and stressful with all the online teaching so please forgive me), I was talking all about latent processing. I am taking some time and stepping back from it all (great advice Jo and Amber) as I think about where I want to go with my writing. Once again I felt great relief having walked away and am looking forward to exploring where I am going next and finding new stories. There are also the edits for Safe to look forward to. Another story I felt deeply. 

What am I saying? Sometimes you have to have the courage to walk away from a story. However, give it a good chance though. Don't abandon it at the first hurdle. Writing is a marathon, not a sprint (how many more cliches can I get in!) One final cliche and one that is very important to me: trust your gut. Be brave and enjoy your writing. Get all the feels as my small grandchildren sometimes call it.  

Update: I am going to add a caveat to this. As the brilliant author Jennifer Killick so rightly reminded me and which I think is so important to highlight. No writing is wasted. Writing is like a muscle. The more you do the stronger you get. But also, elements of these stories and inspirations from them may well appear in other manuscripts in some other format. Writers are naturally very good at recycling. Please don't think I am in despair because I have walked away. I know it is the right thing for me. This is all about knowing what is right for you as a writer. 

Debut Author - what I've learned so far

Author Copies

Yesterday I received a couple of early author copies of my novel Flight and a wonderful congratulations card from my publisher Firefly Press. It was yet another emotional high. I held the absolutely finished book for the first time. You can't see in the photo but it is all shiny and sparkly. The cover, designed by Anne Glenn, is amazing. It really does sum up the story.

I have been thinking about being a debut author and making sure I make the most of every moment because you can only be a debut author once. What has surprised me though is how much of an emotional roller coaster it has been. Moments of feeling totally ecstatic, particularly when you get some wonderful feedback from people you really respect and equally moments of panic and fear. Am I doing enough? Will people really like it? How do I do this? I have surprised myself how vulnerable and tearful I feel leading up to the launch and publication. My aunt was lovely when I told her and she said 'I had no idea giving birth to a book had an impact on your hormones.' And it does feel like that. But then this also feels like the culmination of quite a journey, not just my writing journey but also a personal journey which has not always been easy. (Just so you know I don't see it as the end but I've got to base camp after one hell of a struggle.)

I am a bit of a control freak and one of the things I have understood is that I have to let go of things and realise that they are just not within my control. I am learning to go with the flow! There is also a big risk of comparing yourself/your book with others. DON'T! You are you and your book will have to stand on its own. Comparison is self-destructive.

Do what you can and don't beat yourself up. I come from a PR background so feel I should be doing this massive marketing drive, being on social media all the time, being in your face about #Flight (note the use of the hashtag!). But realistically I have two jobs already and I don't have the time to be doing that so I had to talk to myself about accepting that I would do what I could. Also, I am aware that it can get quite irritating if you are constantly bombarded with info.

You need to think about who you are as an author and how much of you as a person, you want to reveal to the media. For example, I am a disabled author. As an academic, this is not something I have spoken about much so it feels a little strange and discombobulating to suddenly be speaking about it, but I do feel it is important to highlight the fact. Showing children that everyone can write.

The writing and children's book community is incredible but when you have a book deal you suddenly find yourself wrapped in this huge hug as they celebrate with you. They are wonderful as they are just as pleased and excited for you as you are. There is no jealousy or bitterness in this community, it is full of joy - or so I have found. The support is fantastic and they also tolerate you asking really obvious questions (Jennifer, James & Vashti in particular1!).  It is another emotional moment when your book is sent out for endorsements. Initially, it is terrifying and then suddenly you find these beautiful things are being said about your book by these people that you love and respect. For my granddaughter, it was far more important that Cathy Cassidy liked my book than the fact I had a book!

Some practical advice I have come across:

Practice the signature you are going to use for signing the books. Little nugget that was highlighted recently. It MUST NOT be the same as the signature you use to sign documents or cheques (anyone write cheques anymore?)

I had a grand plan to use a silver pen but found it does not show up very well on things like postcards so perhaps use something like blue or red so they can see it.

Talking of postcards, if like me you have been lucky enough to have been sent loads of postcards with your book on when you send them to schools, send two. One which you have written on and the other one blank. This way they can post both on the wall side by side.

Website: Look at others, make notes on what you like and what doesn't quite work for you. It is very easy to set your own up particularly if you use something like Wix.com. I was recommended this by various authors and set mine up using it. It was very easy. Don't forget you need to think about your teaching resources too. I would suggest you set the website up as you the author, not just the book as hopefully, you will have more than one book and you don't want to have to set up new websites for each book.

Most importantly enjoy it! I have had a fantastic time thanks to Penny, Janet and Megan at Firefly Press who have made it very easy for me. Also, the ever lovely Imogen Cooper who is just always there for me.

It is the launch this week and that is a whole other story but I've gotta feeling...