#writingishard5 - you never stop learning

Imogen Cooper & my best friend

It doesn’t matter where you are in this writing malarkey you never stop learning. I have an MA in Writing for Children, a creative writing PhD which looked at the representation of sex, drugs and alcohol in young adult fiction and included writing a piece of young adult fiction; I was lucky enough to be mentored by Imogen Cooper while I worked for the Golden Egg Academy. Yet I still learn something new about writing on a regular basis and can look at a blank screen starting a new novel, thinking: ‘How do I do this again?’ I have also heard of many a famous and successful author say they feel a similar thing when faced with that blank paper or screen.

You never stop learning. It is important that you keep reading about writing. Not only do you need to keep reading fiction, watching films, going to art galleries and the theatre but continue to research into the subject. Understand what it means to write. 

People often ask me whether it is worth taking a degree in creative writing or undertaking a course. My answer is simple, it depends on what you want. You will hear plenty of people saying that they

got published without them. But taking them shows you are serious about your writing. A degree allows you to experiment with a variety of different voices and enables you to find your voice. To work out who you are as a writer. That is certainly what happened to me. I was doing a degree in English, but it had strands of Creative Writing, which is why I did it. I had a very set idea of what sort of writer I thought I was and that was certainly not a children's writer. I'd never even considered it. One of the modules gave me the opportunity to have a go at writing for children with Judy Waite. It felt like coming home. My voice felt natural and my writing flowed. If I hadn’t taken that degree, I’d never have experimented like that. You hone your craft in an academic situation.

Working with organisations like the Golden Egg Academy means you can hone your manuscript and your craft while working with professionals, who have their finger on the publishing pulse. By the end of it, you really understand the editing process and how to apply that to any future projects. It also means you are not daunted by any potential editing undertaken by an agent or publisher.

By taking either an MA or working with an organisation such as GEA you learn not to too precious about your work. I’ve heard stories of writers who’ve refused to make any changes to their work because it is their ‘baby’ and it is perfect. I can’t imagine feeling like that about my work. I know a lot of writers, including myself, who won’t look at their work once it is published as they will see areas they want to improve as they don’t consider it good enough. All that happens to those who won’t make any changes is that they don’t get a publishing contract as they are deemed impossible to work with.

Personally, I love listening to writers talking about their writing processes. I always learn something or find an affirmation because they write the same way as me – such a good feeling. As a lecturer and workshop leader, I always find these inspirational as it is so good to hear the students and writers talking about their work. Again, I quite often learn something from these sessions.  The Society of Children’s Book Writers and Illustrators is a great organisation where you can meet like-minded people. They run socials, masterclasses and wonderful conferences. 

Writers are invariably generous of heart and very willing to share. They are happy to talk to a certain extent BUT don’t take advantage. Don’t keep asking them to read your work. They are busy people. They have their own writing to do. Don’t assume you are the only person that asks them to look at their work. Don’t keep asking for tips. Also, if you don’t have anything nice to say about their book, don’t say anything. Writers have feelings you know.

I’ve listed some resources that I’ve found useful but there are many, many more. Feel free to add to them in the comments. This is not an exhaustive list and this is a personal list.

Podcasts

Writer’s Routine

Prepublished

CTRL ALT DELETE

Simon Mayo’s Book of the Year

Always Take Notes

The Literary Salon

In Writing

The Bookseller

Front Row

Books

Janelle Adsit ed. Critical Creative Writing: Essential Readings on the Writer’s Craft

Amanda Boulter, Writing Fiction

Dorothea Brande, Becoming a Writer

Kevin Brophy, Explorations in Creative Writing

Andrew Cowan, The Art of Writing Fiction

E. M. Forster, Aspects of the Novel

James Frey, How to Write a Damn Good Novel

John Gardner, On Becoming a Novelist

John Gardner, The Art of Fiction

Natalie Goldberg, Writing Down the Bones: Freeing the Writer Within

Ernest Hemingway, Ernest Hemingway on Writing 

Henry James, ‘The Art of Fiction’, Longman’s Magazine

Colum McCann, Letters to A Young Writer

Robert McKee Dialogue

Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting

Andrew Melrose, Writing for Children

Orson Scott Card, Characters and Viewpoint

Sol Stein, Stein on Writing

William Storr The Science of Storytelling

Writing/Philosophy/Creativity

Anne Bernays & Pamela Painter, What If Writing Exercises for Fiction Writers

Italo Calvino, Six Memos for the Next Millennium

Joseph Campbell, The Hero with a Thousand Faces

Neil Gaiman, The View from the Cheap Seats

Martin Griffith & Jon Mayhew, Storycraft: How to teach Creative Writing

Arthur Koestler, The Act of Creation

Milan Kundera, The Art of the Novel

David Mamet, Three Uses of the Knife

Philip Pullman, Daemon Voices: Essays on Storytelling

Katherine Rundell, Why you should read Children’s Books

Twyla Tharp, The Creative Habit

Judy Waite, Wordtamer: Activities to Inspire Creative Thinking and Writing

Jen Webb, Researching Creative Writing

J. Webb Young, A Technique for Producing Ideas

Virginia Woolf, A Room of One’s Own

John Yorke, Into the Woods

Journals

https://vanessaharbour.wixsite.com/write4children

http://www.textjournal.com.au/

https://www.axonjournal.com.au/

New Writing

Writing in Education

Writing in Practice

Media & Organisations

The Big Scottish Book Club

CBBC Book Club

Front Row

The Bookseller

Society of Children’s Book Writers and illustrators (including Words & Pictures)

Golden Egg Academy (Sign up to receive their free newsletter) also follow them on Twitter, Instagram and Facebook to see their writing tips and prompts.

National Association of Writers in Education

Society of Authors - great for advice

Writers need support

Surrounded by amazing supportive friends

Last week at the launch of The Golden Egg Academy we spoke about the importance of support for writers. Writing is not easy and you spend an awful lot of time on your own so having others to talk to about it is invaluable. This week has been a tough one for me what with starting teaching again, trying to write a whole ream of new modules and prepare a revalidation document AND write a book proposal was leaving me feeling totally exhausted and fairly deflated. But then the wonderful Candy Gourlay set up the 7 meme on Facebook. She told us we had to go to the seventh  or seventy seventh page of our current work in progress, go seven lines down and post the next seven lines.

Firstly, it was wonderful to see brief and tantalizing snippets from so many people. But then it was the comments I got on my few lines by friends who I respect and admire - they were so enthusiastic - all wanting more. The way Trafficking is set out it wasn't feasible for me to use that so I used my new work in progress which currently only has two chapters written - Persephone's Pegasus - so it is very raw and I don't often share this early on. But it reminded me of how good it felt to have feedback on your work. It gave me a new impetus and thanks to a snow day the uni was closed and I was able to do a bit of my own writing when I had finished what I needed to. It felt good. I realised how much I miss writing when I can't get to it. It makes me feel whole again and lifted my spirit enormously.

I have watched a good friend, who has been through a difficult year which has impacted on her time and ability to write, find her writing mojo again and the work she is producing is outstanding.  It is something that I have come to accept, if you are a writer you have to write to feel well and good about the world. Matt Haig spoke about his battle with depression and how writing helped him in a post he did for the Book Trust. It was powerful and humbling piece to read.

Never underestimate the importance of support when you are writing. It can come in all sorts of forms. I know some will disagree but Facebook and Twitter can be a great support. I have made some fantastic friendships through Facebook and keep in contact with many, many writers from all over the world. I had the joy of a fascinating conversation about metafiction in children's literature with the inimitable Philip Ardargh earlier this week. It wouldn't have happened if it wasn't for Facebook. Critique groups are another great source of support whether face to face or online. And of course there are groups like the Society of Children's Book Writers and Illustrators who provide support too. (Also look at the Golden Egg website to see what support you can get there) Just remember to keep writing and keep talking about it. And if you have friends who write remember they need support too.

As all writers love cake and I am midlife (sort of) here's My Friend the Chocolate Cake with A Midlife's Tale

Guilty confessions and the art of critiquing and writing good stories

The Shop Around The Corner

I have a guilty secret....I watch the X Factor auditions....there it is out there now. I love seeing the moments when unexpected beauty falls out of a contestant's mouth and those other cringe worthy times where you wonder why hasn't anyone told them they can't sing. It was whilst watching it this weekend that got me thinking, a contestant was singing her heart out and in the total belief she could sing. You could see it her face, she had no doubts in her ability. She couldn't, not even close. Off stage her mother and aunt (I assume) were swaying happily, saying how wonderfully she was doing. She wasn't but she had obviously been told for a very long time how brilliantly she sang. It was a brutal way for her to find out that her singing wasn't quite as good as she thought. I admire her guts totally, I could not go on stage and do what she did. But there again I won't sing anywhere in public because my mother told both my sister and  I that we cannot sing at all and therefore mustn't ever. It must be possible to achieve a balance between these two extremes.

What has this got to do with writing? Well, it goes back to having your work critiqued. Don't give it to family. I would be a rich woman if I had a pound for everytime someone has said to me 'I have written a brilliant story. I know it is good, my children (grandchidren/niece/nephew - delete as appropriate) have told me.' Of course they have, they're your children, very few children are going to tell a relative their story is not working. You need to find a group of people that you can trust and will be honest with you. (the SCBWI has great critique groups) Critiquing is not about someone patting you on the head and saying 'that's very nice dear.' It is about offering constructive criticism, working out together what works and what doesn't and it is mutual thing. You can learn so much from critiquing other people's work too. It is where I learnt to trust myself, if my gut says something is not working invariably it will be picked up by others. I now change anything that the gut gives the slightest hint of a grumble at.

I can also hear you ask why is there a picture of the Shop Around the Corner from You've Got Mail in the corner. I was watching this at the weekend too - a prevarication technique to avoid doing the final bits on the review essay and also I was shunted in my car and was feeling very sore and sorry for myself. It is a feel good film by Nora Ephron. But there was a point when Kathleen Kelly (Meg Ryan) said something to Joe Fox (Tom Hanks) that really struck home. She was talking about how her mother 'wasn't just selling books, she was helping people become who they were going to be...Reading books as a child becomes part of your identity unlike any other form of reading in your life.' For me this summed up the importance of children's books and something that I worry I lose sight of sometimes amongst all the academia.  As a writer I need to remember I am providing a vicarious experience for my child/teenager reader and something I write might just have an impact on a decision they make. My stories have got to be good and strong so the readers can get lost in the narrative. I am sure we can all remember those times as a child when you got so involved in a book  that you read continuously from cover to cover because you couldn't bear to stop. You were so totally engrossed in that world that everything around you appears to stop. I want to write stories like that.

Ok enough of my witterings, I have unashamedly pilfered this from a friend's blog because I have fallen in love with it and its sentiments:

The importance of SCBWIs

First SCBWI Social

On Thursday I held the inaugaural Winchester SCBWI Social meeting and it was a refreshing reminder of how important this organisation is to me. We met at a local pub and had a large jug of Pimms to celebrate - it was delicious! The best part was to be able to sit and discuss your own writing and that of others with people who understood the issues of writing/illustrating for children and the stress of the publishing machine. There was never an awkward silence as you tried to think of something to say and two hours went very rapidly. I will be organising another one in August. If you are interested leave a message in the comments below.


I first came across SCBWI-BI (Society of Children's Book Writers and Illustrators) in 2006 when I attended their conference which is held at my university. I had just finished my MA in Writing for Children and just embarking on my PhD. There were some fascinating speakers but I also found it quite daunting and overwhelming at that time. I sat on the periphery for several years, watching from the sidelines. Once my PhD was nearly finished I started to get more involved. They have their own Facebook page, which is a wonderful thing for networking and making friends. The members are all so friendly and supportive. And the more involved I get the more I realise how important the organisation is. I suppose it comes from all being in the same boat and understanding the pressures.


The aim of SCBWI-BI (some call it Scoobies) is to support published and, importantly, unpublished writers and illustrators. They hold many events during the year including the professional series held in London, the north and the north east. These can be events where you meet publishers, talk to other authors or have a specialised session like one on marketing. Who knows, maybe I will be able to get Winchester to start its own professional series on day..... ;-) There is even an Agents party, where you can schmooze and use your one line pitch.


Also, there is their annual conference which, as I previously mentioned, is held at Winchester University and always well worth attending. I went again last year and it was so much larger than the conference I attended in 2006. This year I am holding the first conference Scrawl Crawl on the Friday. This is where we will be visiting various places within Winchester to find inspiration and write and/or draw.  I will put up a link to the conference when it is ready.  They also hold an annual retreat. This is something I haven't managed to attend yet but from the feedback and photos it looks amazing and well worth attending.


I suppose what this post is really about is finding support networks when you write. The members of SCBWI have been fantastic. They celebrate everyone's successes and give a great deal of support to those who are having a difficult time. They become like a family. I am lucky many of them have become very good friends too that go way beyond the writing. But that's what you need as a writer is to surround yourself with people who understand what it is like to write/illustrate. How lonely it can be and how pressurised it can become once you have been published. People who understand and won't take offence if you need to be left alone because you are in the middle of a writing session. As the BBC would say, 'there are other similar organisations' - one that comes to mind is Lapidus, another one that is well worth looking at particularly if you are interested in creative writing and well being.


Finally, I would like to thank all my SCBWIs friends who have been such great friends and have helped me get to where I am. And thank you to those who attended Thursday's event. I look forward to many more.


Mary Chapin Carpenter's 'Chasing What's Already Gone.'

A review of Slated by Teri Terry

by Teri Terry

I have been sitting on this review for a while and today seems an opportune moment to post it. Why? Well, tomorrow, 3rd May, Slated by Teri Terry is launched. Slated  is Teri's debut novel and is the first of her trilogy. It is published by Orchard Books and available at all good book stores near you.

Teri Terry is a friend who I initially met at the LBF through SCBWIs and because of this I have seen Slated in various guises and am delighted that it is finally being published. I boldly told Teri I would love to do a review of Slated but then the panic struck. Firstly, I am not particularly keen on dystopian fiction and secondly, as I said Teri is a friend, what if I hate it? I needn't of worried at all, it was a good read!

Slated is the story of sixteen-year-old Kyla who has been 'slated'. A brilliant idea which means that all of her past memories have been erased. Everything about her is now blank and she has to rebuild herself. She has been given a new name, a new date of birth and even new parents. This was done to her because the government claimed that she had been a terrorist. They told her she was being given a second chance. But have they truly wiped her memories...

It is a thrilling story right from the beginning, which is a good combination of romance and mystery. It is an intelligent narrative that asks some challenging questions of the reader and society. The story is credible. This for me, as I dislike dystopian fiction, was an important factor. I needed to be able to believe in the narrative. It is set in the future but not so far that it is impossible to imagine. Several reviewers are comparing it to Suzanne Collins' Hunger Games, I can see why.The characters were all strong and well rounded, making it easy to engage with them. I suppose the only part I found slightly dissatisfying was the number of story lines that were left hanging in anticipation of the next story, but it helps maintain a sense of tension throughout and shouldn't really be seen as a negative. I hope they publish the next one soon!

This is only a brief review as the full review will appear in the November edition of Write4Children.


Teri Terry also writes for various blogs. Check them out at: http://notesfromtheslushpile.blogspot.co.uk/
and http://dementionblog.blogspot.co.uk/?spref=fb

Congratulations and good luck Teri!

Here we have Barbara Streisand singing 'Windmills of your mind' in honour of having your mind Slated...

How I create my characters

On the SCBWI Facebook page there was recently a post asking about books on creating believable characters. It made me think about my characters and how I create them and I thought I would share some of the processes I go through.

I often start off by finding a photo of someone who looks vaguely like my potential character. For example there was a photo of a young girl with amazing eyes which was the inspiration behind my character Saba. I will stick these pictures into a notebook and then start asking questions of the character. Initially these might focus on further physical details about what they look like: height, weight, distinguishing features etc. Then I ask questions about their parents, do they have siblings, what sort of place do they live in and where, their schooling, what are their favourite subjects, what do they hate, what food do they love? What is their biggest secret? Do they have any irritating habits? What would you find in their pocket/school bag etc? This gives me a long list of bits of information that help me to form a picture.

The next thing I will do is get them to write a letter to me telling me all about themselves. It is a bit like free writing but it is not coming from your perspective, instead it is your character's. This gives me a chance to get into their head. If I have several character's who potentially could have similar voices I look for things that could distinguish them. It could be certain words they use frequently or maybe a physical habit they have such as always brushing their hair off their face. Just tiny details that can bring them to life.

The other important thing for me is to decide upon a name. This can be surprisingly difficult and often I find my character's have name changes whilst writing as their original name just doesn't fit with who they become. I have mentioned in a previous post the meanings behind names can be very important to me too so I do tend to use the Internet in order to find names. One tip, try and avoid having several characters with names that that start with the same initial. It can become very distracting for the reader.

Currently I am going through these processes again for my existing novel as I am changing one  of my characters, not his name, but his attitude so I really need to get back into his head and work out he would react in certain situations. This is why I do all this character building so that whatever situation my character might find themselves in I will know exactly how they will react. This way I don't have to stop writing and think instead I can just immerse myself in the story and keep writing.

This is how I create my characters, it may not work for you, but it does for. I was delighted to hear from an agent recently who described my characters as fresh and honest whilst being likeable and readable. How do you create your characters?

Here are the Dawes with a pertinent title: 'If I wanted Someone'

Critiquing

This week I was lucky enough to have a one to one with an agent that I had won via a raffle at the Society of Children Book Writers' Conference. It was with Madeleine Buston of Darley Anderson Literary Agency and I have to say it was an absolute delight talking to her. Not just because she happened to like my book but because her advice was well thought out and considered. Madeleine was able to advise me on various aspects including suggesting I think of a new more explicit title to the book we were considering - currently still retaining its PhD title: Ham and Jam - and thinking of a one line pitch. Her support and encouragement was invaluable and way more than I expected from what is basically a 'free' consultation. But Madeleine didn't stop there, she very kindly arranged for me to talk to Vicki Le Feuvre, an editor at the agency, who had also read my sample chapters and had enjoyed them too. Vicki went through her notes with me on the phone and then even emailed them to me. A particular thrill for me was when she spoke about one of my characters, whose voice I had been worrying about, but who she found to be fresh and honest with a really readable voice. Vicki had some truly brilliant ideas which are really going to add to the story and that had me thinking: why didn't I see that, it's so obvious. I came away from the session absolutely buzzing and full of ideas.

My point with this post is not just to say thank you to Madeleine and Vicki for their insightful advice, and to the excellent organisers of the SCBWI conference who arranged the raffle, but to also remind everyone how important it is to get your work critiqued. Getting other people to look at your work brings fresh eyes to it and may help to spot parts that are just not working. Family is not always a great bet - they might feel honour bound to tell you it is wonderful when actually it needs quite a bit of work, but it does need to be somebody you trust. As I said in numerous earlier posts writing is all about the rewriting and listening to others can be part of this process. I always warn my students that when I am marking their creative pieces I can pick out those who have not bothered to partake in class workshops. The pieces will lack polish. It is something I miss having finished my PhD as then I always had someone there to give me feedback. If you are not already in one I would suggest that it is well worth considering setting up a critiquing group (online or face to face) where you can get this sort of support. The SCBWI is excellent at pointing you in the direction of such groups if you are interested in writing for children.

I have to say the one to one was a highlight of the week along with a hilarious evening spent with my children and some good Australian friends. However, the rest of the week was not quite so successful. Let me ask you this, do you ever have one of those weeks when your head is so full of stuff to do that it explodes and you end up not thinking things through and find yourself irritating or hurting people? The rest of the week was like that for me. I just didn't think and it  is the potential of hurting or irritating someone that caused me so much pain and stress this week. Probably stupidly but I really worry about things like that. The body is rebelling and the brain is struggling to cope with everything but it is a new day and maybe next week I will do better. What I do know is I will be working on Ham and Jam full of inspiration and drive.

Happy New Year - 2012

What did you do in 2011?

Wow! What a year that was. There is only a day or so left of 2011 and as you can see by the photo it has been a pretty amazing year for me. I did exactly what I set out to do and  I achieved my PhD. Also little Noah made a fairly dramatic appearance in July and is the light of my life. Making our family even more perfect - thank you Charlie and Greg. A doctor in June and Nanny Noo Noo (don't ask!!) in July. I graduated in November surrounded by family and friends, which was a day I will never forget. It was incredible (see my post in November for full details)

As well as some truly wonderful and awe inspiring highs there have been a few lows in 2011 including surgery but I have been supported throughout by some fantastic friends and, of course, my amazing family.

There was only one conference where I gave a paper this year and that was Great Writing in June 2011 and run by Graeme Harper, who happened to be my external examiner at my viva. Therefore the fact it was straight after my viva was an experience. The paper went particularly well. I felt like I had a whole new confidence in my work. It was a great conference and I was able to spend a lot of time either side of it with my great friend Jen Webb. Who had already surprised me by being there when I turned up for my viva. We went to museums, art galleries and the theatre. We drank champagne and talked and talked. It was a perfect few days. Jen is coming back over to the UK for a few months at the beginning of 2012. That is certainly something to look forward to.

I had the privilege to watch the development, writing and then publication of two outstanding academic books which were both produced by Andrew Melrose, my former Director of Studies and a great friend who shared many of my celebrations and stuck the pieces back together during my lows. Thank you Andy.

I went to the SCBWI's conference in November for the first time for several years. It was a fascinating and illuminating conference where I managed to catch up with many fb and Google+ friends.

I have just read my blog from this time last year and I was so focused. I knew exactly what I was going to do. A great feeling for someone who has been accused in the past of being a bit of a control freak! 2012 doesn't feel quite so focused. I was advised to take 6 months away from the critical stuff once my PhD was finished to let the brain stop being quite so mushy. Well come January that 6 months is up. I have 2012 stretching out in front of me and it looks quite empty. I have several potential projects but nothing concrete. A bit freaky for someone who likes to know exactly what is happening. All the potentials focus on my creative work rather than my critical but am sure I will find ways to address this. I have just got to stop standing on the precipice and take that step off to see what happens.

To all my wonderful friends, and you know who you are I am sure, and my glorious family, thank you for a truly amazing 2011 and I wish you all a very happy and successful 2012. See you here this time next year.

New Beginnings

I started this blog just over a year ago and as I have said in previous posts the aim of it was to tell the tale of my PhD. At that time I didn't know when I would be submitting but now it is done. The thesis was handed in last week. My plans for the blog though were hijacked by life and certain things that happened within that year that had a major impact on my world. Well that year is over now, a pesky gall bladder has been removed and it is time to start new beginnings.

These new beginnings will start with this blog (which I know I have said before but once again life got in the way). Chaosmos is a word used by James Joyce and means 'out of chaos comes order' and that is the way I write, therefore, this blog is going be about my writing and not about my academic career. I have two novels (I am not counting the one that will remain safely in the bottom drawer for the moment) - a YA novel called Ham and Jam which is completed and polished; the other is a book aged at 7-10 called The Book Protectors' Daughter which needs a good seeing to. My plan for the next few weeks is to get that done and then decide which one I am going to submit to the SCBWIs Undiscovered Voices competition.

There are some very impressive blogs out there (rather than list them I suggest you look at the ones I follow as a guide) and I am not going to attempt to compete with them. What I can offer with my blog is sharing some of my experiences, any useful tips I come across and useful sites to visit or books to read.

Annie Lennox singing about a shining light which I hope will lead me into these new beginnings